 |
 |
 |
 |
 |
 |
| |
Tour
of Misono |
|
Misono:
A
Vision of Paradise.
“...to
create Paradise on Earth...where people have beauty in their hearts,
a beauty in the spirit. Words and deeds should embody this beauty.
This is beauty at the individual level. And when individual beauty
spreads, social beauty comes into being..."
Mokichi Okada
The Shigaraki Mountains have been considered sacred since ancient
times. It was here that Shumei built its headquarters, Misono. Cradled
in a rolling, pine-filled landscape, Misono is a place of extraordinary
splendor where manmade and natural beauty converge. The creation of
Misono is a tribute to Shumei’s founder, Mokichi Okada’s
great vision of an ideal world. |
| |
|
|
|
| |
|
|
HEAVEN'S
PORTALS
(TENMON)
Executed
by the sculptor Masayuki Nagare, Heaven's Portals are composed of
eight majestic granite columns that rise above a terraced stairway
on the approach to Misono's Great Plaza and Meishusama Hall. These
sculptured columns form a portal between the worldly and the sacred. |
| |
|
|
|
| |
|
|
THE
SACRED PATH
Located
to the right as one approaches the Heaven's Portals and Misono's sanctuary
area, this shady pathway is an alternate route to the Great Plaza.
Most Shumei members use this indirect path on their way to Meishusama
Hall. Its cobblestones once formed part of the pavement of the old
imperial city of Kyoto. The pathway is lined with a variety of plants
and shrubs, including among them wisteria and Japanese maples that
delight the eye with deep green, vivid crimson, and purple during
the changing seasons of the year. |
| |
|
|
|
| |
|
|
THE
CASCADE (KUMO
GA TAKI)
The
Sacred Path leads past a cascading fountain. As he created the Gate
of Paradise, Masayuki Nagare also designed this fountain. Before entering
the Great Plaza and going deeper into the sanctuary area, it is customary
for visitors to wash their hands and mouth with these waters. As those
of Lourdes and Bethesda, these waters are believed to have healing
powers. |
| |
|
|
|
| |
|
|
THE
JOY OF ANGELS
This
carillon tower was designed by I.M. Pei, one of the most renowned
architects of our time. Mr. Pei's other works include Phases I and
II of the Louvre in Paris, with its celebrated glass pyramids, the
John F. Kennedy Library in Boston, and the Miho Museum, which houses
the Shumei Family Art Collection. This 60-meter-high tower has a set
of 50 bells that were cast by the Royal Eijsbouts Bell Foundry in
The Netherlands. It is our hope that the harmonious sounds of these
bells will carry peace and joy throughout the entire world.
|
| |
|
|
|
| |
|
|
MEISHUSAMA
HALL
At
the far end of the Great Plaza, an expanse of 14,000 square meters
paved with Italian marble, stands this grand hall, which is dedicated
to our founder Meishusama. Completed in 1983, it was designed by Minoru
Yamasaki, who also designed the World Trade Center's twin towers in
New York City. Resembling the shape of Mt. Fuji, the structure is
supported by just four pillars that curve upward from its base. The
structure is an amazing 60 meters in width, 100 meters in length,
and 50 meters in height. Yamasaki's design was realized with the aid
of his engineering partner, Yoshikatsu Tsuboi, a foremost authority
on structural dynamics. Meishusama Hall is a stunning feat of architecture
that set a benchmark in structural engineering. |
| |
|
|
|
| |
|
|
THE
OCTAGONAL SHRINE
(Shinden) Behind
Meishusama Hall is an eight-sided shrine made of white Greek marble.
In this shrine the Misono’s most sacred artifact is housed,
a scroll created by Shumei’s founder Meishusama. Mounted on
this building’s dome is the "Sun Tree", a sculpture
by Richard Lippold. Reflecting the light of the sun, the Sun Tree
signifies the spreading of Divine Light throughout the world. |
| |
|
|
|
| |
|
|
INSIDE
MEISHUSAMA HALL
When first entering this Hall, one is astonished by its brightness
and vast open space. The Hall seats over 5,500 people. Looking up,
one sees a ceiling made of glass, which allows daylight to flood into
the entire structure. The intricate golden screen that forms a backdrop
for the stage was designed by Lee Dusell. The Hall's acoustics are
excellent. And on either side of the stage are two musical instruments,
to the right a large Taiko drum and to the left a Rodgers concert
organ. |
| |
|
|
|
| |
|
|
MEISHUSAMA'S
HALL The
Subterranean Lobby
The lobby
below Meishusama Hall has gracefully curving walls. This space serves
as an exhibition gallery for art and artifacts. Its subtly expressive
lighting was designed by Motoko Ishii. |
| |
|
|
|
| |
|
|
THE
DAIKOKUDO SHRINE
The calligraphy
on the wooden plaque, set high in the center of the facade, reads
"Daikokudo", meaning a place dedicated to Miroku Daikoku
Tenjin, also known as Daikokusama. Daikokusama is a demigod who brings
wisdom, happiness, prosperity, and longevity to humankind. The plaque
that hangs above the entrance to this shrine was created by Kaiun
Kanitsukasa and Tatsuaki Kuroda. |
| |
|
|
|
| |
|
|
THE
PLUM ORCHARD
The plum blossom was the favorite bloom of our founder
Mokichi Okada, whom members of Shumei refer to as “Meishusama”,
and Shumei uses the blossom’s image often. This plum grove is
located to the east of the sanctuary area of the Great Plaza and Meishusama
Hall. Every spring the air is redolent with plum blossoms and the
eye is delighted by the profuse colors held in the branches of these
trees. |
| |
|
|
|
| |
|
|
THE
CRYSTAL BRIDGE
Designed
by Minoru Yamasaki, the Crystal Bridge spans a ravine between the
Great Plaza and the Gate of Paradise. It follows a more direct route
than the tree-lined path that leads the visitor past the Cascade.
By crossing this bridge, visitors leave Misono’s most sacred
area and return to the everyday world. |
| |
|
|
|
| |
|
|
THE
VILLA MIHO (Saijito)
The architect Junzo
Yoshimura and the master carpenter Sotoji Nakamura built the Villa
Miho in the style of a traditional Japanese house. The Villa was constructed
of rare and old wood, including a pillar from the oldest Horyuji temple
in Nara. A section of this house was transferred from a historic,
two-hundred-year-old private home. Of special significance is the
serenely beautiful tea ceremony room called "Myokoan". The
building is used as a reception facility for special occasions. |
| |
|
|
|
| |
|
|
Back
to Art and Beauty
|
       |
 |